
it is the shortcut to get to the mystery of beauty.
I design clothes forms, objects to love to accompany you in everyday life and also on
special occasions.
I design watches that mark a special time, a lost time, a material time.
I draw figures of women and put them everywhere, on the t shirts on the ceramic plates on the pins, they are my longtime companions, friends, acquaintances...
I design images of objects, sensations and print them on fabrics to illustrate a dress or tell a story, a thought, an image that makes the dress worn unique.
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Philosophy
PHILOSOPHY Fashion for me is always the result of a dialogue between clothes and other expressive forms, first of all visual art. I have always found it stimulating to think of models that are somehow connected with works, auteur films, video clips, photographs. In fact, I believe that clothing is not just a simple industry, but the representation of its times, a sort of identity document of the historical period in which it was created. My challenge, however, is also to build a wardrobe that resists the trends of the moment, which is always modern and wearable: more a demonstration of design applied to the body, than an exercise in extravagance for its own sake: items of great study in the their design and in every detail that, once realized, once they are friends of women and can harmonize with what they already have. In fact, if I had to find a common thread throughout my career, it would surely be the triumph of PRINTS Decorations that arouse emotions - inspired by ancient art or scientific books, design magazines, "portraits" of everyday objects - but do not interfere with the wearability or comfort of my creations. My motto is in fact "to dress all women from 20 to 80 years old", and therefore to work on a fashion that has many points of contact with design, more than with the momentary trends proposed by an industry that sees clothes only objects intended for quick use, little "thought" or too inspired by the work of other stylists. Another fundamental point of my working method is the materials: always of the highest quality, I constantly search for classic or totally innovative fabrics. For example, the idea of ??using "paper-fabric", made using special finishes, which is waterproof, absolutely sustainable and suitable textile solutions for "metropolitan" garments, has met with considerable success. Some of these have been offered by the Bonomo art gallery to artists who with drawings and material interventions have given a personal interpretation, thus arriving at the feeling of owning a work of art to wear, unique and unrepeatable as couture creations Contemporary. They were exhibited in 2011 in an exhibition in my space "Arsenale Gallery". FUTURE To continue to create clothes with a safe, inclusive design, with a strong Italian imprint but that addresses a customer who is increasingly a citizen of the world. I am open to any collaborations with designers and creatives who also come from other fields other than clothing but with whom I can share a storytelling of values, ideas and skills. I fully understand the social evolution and therefore I believe in the possibility of using social networks also with images created in collaboration, in fact, with other exponents of creativity: apps and new devices allow you to have greater visibility, are immediately accessible and grant a direct interaction with end consumers. I think that fashion today is a language which, while keeping its cultural roots firm, must be able to be understood by an increasing number of people. And precisely because it is a language my creativity is also expressed with a line of furnishing accessories designed by me and covered with my prints. An experience already gained over time with the furnishings and coverings that I have created for my atelier. |
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BIOGRAPHY
October 2018 Presentation in Milan of the "femminilesingolare" brand, a new t-shirt brand designed by Patrizia Pieroni April 2011Patrizia Pieroni with her "Arsenale" moves to via del Pellegrino n.172 and expands her activity becoming also art gallery with the name of "Arsenale gallery" March 2010He opens his own Atelier in Paris at n.24 of rue de Poitou February 2008Presents the collection at the Hotel Bristol in Paris From 2002 to 2008Catwalk with "AltaRoma" in the high fashion calendar July 2007Exhibition at the Maxxi Museum "the feeling of time" September 2004Celebrate 10 years of "Arsenale" October 1994The "Arsenale" space opens in Rome in via del Governo Vecchio n.64 From 1986 - 1996in Italy, consultant for various prét - à - porter, sportswear and swimwear lines. Work experience From 1986 - 1996in Italy, consultant for various prét - à - porter, sportswear and swimwear lines. Work experience as a furniture designer in New York download versione pdf |
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Traduzione inglese
download pdf version |
Continue to create clothes with a safe, inclusive design, with a strong Italian imprint but that will appeal to a customer who is increasingly a citizen of the world. I am open to any collaborations with designers and creatives who also come from other fields other than clothing but with whom I can share a storytelling of values, ideas and skills.
fashion
it is made to continually overcome itself, by definition it goes against tradition, it fights the inertia of habits and the
normality of nature.
Cavoli, carote, ravanelli, fanno allegria e condizionano una stilista.
sfogliando un vecchio libro di stampe ottocentesche sono diventata stilista/ortista con la voglia di indossare ortaggi!
stampandoli su popeline fondo nero con tutti i loro bei colori in risalto, su lino naturale in bianco e nero con effetto vecchia stampa.
ma...
Posted: 03/04/2018
Vogliamo farvi un regalo x un grande natale, darvi la possibilita' di regalarvi e di regalare l'abito o l'accessorio che vi era tanto piaciuto
all'inizio della stagione con uno sconto del 20% e del 30%, e poi darvi dei suggerimenti per piccoli regalini sempre particolari da fare ad amici e parenti: le mezze maniche
con le stampe della nuova...
Posted: 07/12/2017
Prima un pò di storia: nel 1500, a venezia, si usava ricamare monete su gli abiti (tradizione mutuata dai numerosi viaggi in oriente dei navigatori veneziani) e queste sono le prime paillettes ,il loro nome in inglese " sequin", parola che deriva da "zecchino", moneta veneziana del'500 . in quel periodo si usava cucire monete sui propri abiti per...
Posted: 30/10/2017
Perchè andare incontro all'autunno con colori tristi?
riscopriamo i pastelli e i colori dolci che accarezzano il viso e che in una grigia giornata autunnale diventano spacciatori di allegria.
velluto di seta, lana morbida, jersey invernale, saranno i materiali stampati e non, da cui prende vita la collezione.
all'insegna del...
Posted: 17/09/2017
Diciamo che può chiamarsi "voglia di qualità".
dopo molti anni che il mercato della moda è invaso da abiti-copia dei grandi marchi, di stracci mordi e fuggi,
ho riscontrato nelle mie clienti e non, una voglia del capo di pregio che ti accompagna per anni al quale il tempo non
fa che conferirgli un aspetto più interessante: "vintage di lusso";...
Posted: 25/05/2017
the post office, the island, the metropolis
...and small everyday objects printed on summer and winter fabrics.
For information: Write to me, I will be happy to answer you.
+39 0668804489 , +39 335388320
pat.pieroni@gmail.com
arsenale@patriziapieroni.it